Good News for People Who Love Bad News – Modest Mouse

Overview

Released in April 2004, “Good News for People Who Love Bad News” by Modest Mouse marked a significant shift in the band’s career. This album propelled the Washington-based indie rock band into mainstream success with its eclectic mix of introspective lyrics, innovative arrangements, and catchy hooks. The album explores themes of existential angst, environmental concern, and the human condition, encapsulated in a sound that blends indie rock with elements of folk, punk, and experimental music.

Critical Reception

Upon its release, “Good News for People Who Love Bad News” received widespread critical acclaim. Critics praised the album for its diverse soundscapes, thought-provoking lyrics, and the band’s ability to balance accessibility with artistic integrity. It was lauded for its originality and depth, earning a Grammy nomination for Best Alternative Music Album. The album’s success solidified Modest Mouse’s place in the indie rock pantheon and introduced them to a broader audience.

Standout Tracks

“Good News for People Who Love Bad News” features several standout tracks that highlight the band’s versatility and lyrical prowess. “Float On,” the album’s lead single, became an anthem with its upbeat tempo and optimistic message. “Ocean Breathes Salty” combines introspective lyrics with a catchy melody. “The World at Large” offers a more contemplative tone, showcasing Isaac Brock’s reflective songwriting. Other notable tracks include “Bukowski,” with its biting social commentary, and “The View,” which features a more aggressive, punk-influenced sound.

Overall Impact

The release of “Good News for People Who Love Bad News” marked a turning point for Modest Mouse, bringing them critical and commercial success. The album’s blend of experimental and mainstream elements appealed to a wide audience, influencing a generation of indie rock musicians. Its success paved the way for future projects and solidified Modest Mouse’s reputation as one of the most innovative and influential bands of the early 2000s.

For those interested in exploring the album’s impact and legacy, detailed analyses and retrospectives are available on platforms like Pitchfork and Rolling Stone, offering deeper insights into its place in music history.

About the creators

Modest Mouse, formed in 1992 in Issaquah, Washington, by Isaac Brock, Jeremiah Green, and Eric Judy, quickly became known for their distinctive blend of indie rock and experimental sounds. Over the years, the band has garnered a loyal following with their introspective lyrics and innovative music. Their breakthrough came with the release of “The Lonesome Crowded West” in 1997, followed by the critically acclaimed “The Moon & Antarctica” in 2000. “Good News for People Who Love Bad News” marked their commercial peak, solidifying their status as one of the most influential indie rock bands of their generation.

Similars

1. Built to Spill – Keep It Like a Secret
   • Known for its intricate guitar work and introspective lyrics, this album offers a similar blend of indie rock and experimental sounds.
2. The Shins – Chutes Too Narrow
   • Combining catchy melodies with thoughtful lyrics, this album captures the same indie rock spirit as Modest Mouse.
3. Death Cab for Cutie – Transatlanticism
   • With its emotional depth and indie rock sensibilities, this album resonates with the introspective and innovative qualities of “Good News for People Who Love Bad News.”
4. The Flaming Lips – Yoshimi Battles the Pink Robots
   • Known for their experimental sound and thematic depth, The Flaming Lips offer a similar blend of creativity and introspection.
5. Arcade Fire – Funeral
   • This album combines anthemic rock with introspective lyrics, creating a sound that parallels the emotional and musical journey of Modest Mouse’s work.

Vinyl Edition Details

The vinyl edition of “Good News for People Who Love Bad News” by Modest Mouse is a prized possession for fans and collectors. It features a high-quality gatefold sleeve with eye-catching artwork, enhancing its collectible value. This edition includes a booklet with photos, lyrics, and credits, providing an immersive experience for listeners.

Key details about the vinyl pressing are as follows:

• Label: Epic Records
• Format: Vinyl, LP, Album
• Release Year: 2004
• Country: USA
• Barcode: 6 9699-87125-1 5

Companies Involved:

• Recorded At: Sweet Tea, Mississippi; D.C. Studio, Seattle
• Mastered At: Golden Mastering
• Pressed By: Sony Music

Tracklist:

• Side A:
  1. Horn Intro
  2. The World at Large
  3. Float On
  4. Ocean Breathes Salty
  5. Dig Your Grave
  6. Bury Me With It
• Side B:
  1. Dance Hall
  2. Bukowski
  3. This Devil’s Workday
  4. The View
• Side C:
  1. Satin in a Coffin
  2. Interlude (Milo)
  3. Blame It on the Tetons
  4. Black Cadillacs
• Side D:
  1. One Chance
  2. The Good Times Are Killing Me

Credits:

• Vocals, Guitar: Isaac Brock
• Drums, Percussion: Jeremiah Green
• Bass, Backing Vocals: Eric Judy
• Producer: Dennis Herring
• Mastered By: Greg Calbi

Notable Features:

• The liner notes include detailed production credits and acknowledgments.
• Some editions of this release include a limited edition poster with album artwork and exclusive photos.